FILM & TV WORK
This page contains my film & television series contributions in the form of shot still frame galleries and then video edit galleries. These are categorised into the year the shows were theatrically released.
The video edits are the same format as my show reels with overlaid information text but are specifically for that show & its shots. Some video "montages" will contain an information page title before playing each shot/sequence with overlaid information such as tasks, software and specific details.
Further information on each project can be found by simply clicking a still from a gallery. I've included my Role, Task, Overview and then a quick link to the video edit for that show.
2023
The Hunger Games: The Ballad of Songbirds & Snakes - Feature Film - Lighting TD - Rise VFX
The Wheel Of Time S02 - Prime TV Series - Texture Artist - Outpost VFX
Queen Charlotte "A Bridgeton Story" - Netflix Series - Look Development Artist - Outpost VFX
2023
Work Stills Gallery
(Click An Image Below To Find Details On Work & Shots Video Link)
Role: Lighting TD Software: Houdini (Solaris/Karma) Task: Using the base environment to light the destroyed background stadium to match the original plate. Company: RISE The link below is a private video edit with timestamps of all my shots from the film including descriptions of tasks.
Role: Lighting TD Software: Houdini (Solaris/Karma) Task: Using the base environment to light the destroyed background stadium to match the original plate. Company: RISE The link below is a private video edit with timestamps of all my shots from the film including descriptions of tasks.
Role: Lighting TD Software: Houdini (Solaris/Karma) Task: Using the base environment to light the destroyed background stadium to match the original plate. Company: RISE The link below is a private video edit with timestamps of all my shots from the film including descriptions of tasks.
Role: Lighting TD Software: Houdini (Solaris/Karma) Task: Using the base environment to light the destroyed background stadium to match the original plate. Company: RISE The link below is a private video edit with timestamps of all my shots from the film including descriptions of tasks.
Role: Lighting TD Software: Houdini (Solaris/Karma) Tasks: I originally was tasked with just lighting the bottle for this shot but as the shot developed (anim/sims) I ended up creating new shaders for glass, label and fluid for the scene. The entire zoo fence I also modelled for the assets department which I ended up using for this shot. Company: RISE The link below is a private video edit with timestamps of all my shots from the film including descriptions of tasks.
Role: Lighting TD Software: Houdini (Solaris/Karma) Tasks: I originally was tasked with just lighting the bottle for this shot but as the shot developed (anim/sims) I ended up creating new shaders for glass, label and fluid for the scene. The entire zoo fence I also modelled for the assets department which I ended up using for this shot. Company: RISE The link below is a private video edit with timestamps of all my shots from the film including descriptions of tasks.
Role: Lighting TD Software: Houdini (Solaris/Karma) Task: Setting up and lighting the shot. This bespoke wide shot developed alot over time and around 65% of the shot is CG, including large areas of hills/ grass so liasing with the assets and compsiting departments was essentially to get the beauty render layers setup correctly with plausible environment shadows from entirely new formed hills applied to the original plate. Company: RISE The link below is a private video edit with timestamps
Role: Senior Texture Artist Tasks: Texturing and some UV-ing/modelling I textured many different assets for the city "Tar Valon". A detailed list can be found on my linkedin page. A few examples of assets I textured are: The entire island perimeter, bridges to the island (x4), roof tops (20 variants for scatter), 10 towers, 10 domes and many other fantasy assets such as staircases. Software: Substance Painter & Maya Company: Outpost VFX The link below displays my work shots + extras
Role: Senior Texture Artist Tasks: Texturing and some UV-ing/modelling I textured many different assets for the city "Tar Valon". A detailed list can be found on my linkedin page. A few examples of assets I textured are: The entire island perimeter, bridges to the island (x4), roof tops (20 variants for scatter), 10 towers, 10 domes and many other fantasy assets such as staircases. Software: Substance Painter & Maya Company: Outpost VFX The link below displays my work shots + extras
Role: Senior Texture Artist Tasks: Texturing and some UV-ing/modelling I textured many different assets for the city "Tar Valon". A detailed list can be found on my linkedin page. A few examples of assets I textured are: The entire island perimeter, bridges to the island (x4), roof tops (20 variants for scatter), 10 towers, 10 domes and many other fantasy assets such as staircases. Software: Substance Painter & Maya Company: Outpost VFX The link below displays my work shots + extras
Role: Senior Texture Artist Tasks: Texturing and some UV-ing/modelling I textured many different assets for the city "Tar Valon". A detailed list can be found on my linkedin page. A few examples of assets I textured are: The entire island perimeter, bridges to the island (x4), roof tops (20 variants for scatter), 10 towers, 10 domes and many other fantasy assets such as staircases. Software: Substance Painter & Maya Company: Outpost VFX The link below displays my work shots + extras
Role: Senior Texture Artist Tasks: Texturing and some UV-ing/modelling I textured many different assets for the city "Tar Valon". A detailed list can be found on my linkedin page. A few examples of assets I textured are: The entire island perimeter, bridges to the island (x4), roof tops (20 variants for scatter), 10 towers, 10 domes and many other fantasy assets such as staircases. Software: Substance Painter & Maya Company: Outpost VFX The link below displays my work shots + extras
Role: Look Development Artist Tasks: I very briefly assisted with look development on this show. Assets I shaded were all the red banners (4-6 variants + painting normal maps), bell (in the exterior tower), royal photo frames, mirror frame, fire stand/statue. Software: Houdini (Arnold) Company: Outpost VFX The link below is short edit of my work in the televised series.
Role: Look Development Artist Tasks: I very briefly assisted with look development on this show. Assets I shaded were all the red banners (4-6 variants + painting normal maps), bell (in the exterior tower), royal photo frames, mirror frame, fire stand/statue. Software: Houdini (Arnold) Company: Outpost VFX The link below is short edit of my work in the televised series.
2023
Work Shot Video Links & Contributions
The Hunger Games: The Ballad Of Songbirds & Snakes
Feature Film 2023 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
The Wheel Of Time - Amazon Series 2 - 2023
Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Queen Charlotte - Netflix Series 1 - 2023 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
2022
Dangerous Liasons - TV Series - CG Generalist - Lola Post
The Woman King - Feature Film - Texture Artist - Milk VFX
Bad Sisters - Apple TV Series - CG Generalist - Lola Post
Prehistoric Planet - Apple TV Series - Environment TD - MPC Episodic
Dinosaurs The Final Days - BBC TV Series - Lighting TD - Lola Post
Lock & Key S03 E01 - Netflix TV Series - Previs Artist - One Of Us
The Man Who Fell To Earth S01 E01 - TV Series - Previs Artist - One Of Us
2022
Work Stills Gallery
(Click An Image Below To Find Details On Work & Shots Video Link)
Role: Texture & Look development Artist Tasks: Texturing and Look development. I textured & shaded the Dahomey Kingdom which was the tribes city in the film. The assets included huts, walls, bull horns, paths, all of which had many variants required except for the hero (largest/bespoke) huts. Other texture work I completed were burnt tents/shelters for the battle. Software: Substance Painter & Maya Company: Milk VFX The link below is an edit of my work work in the final films shots.
Role: Texture & Look development Artist Tasks: Texturing and Look development. I textured & shaded the Dahomey Kingdom which was the tribes city in the film. The assets included huts, walls, bull horns, paths, all of which had many variants required except for the hero (largest/bespoke) huts. Other texture work I completed were burnt tents/shelters for the battle. Software: Substance Painter & Maya Company: Milk VFX The link below is an edit of my work work in the final films shots.
Role: Texture & Look development Artist Tasks: Texturing and Look development. I textured & shaded the Dahomey Kingdom which was the tribes city in the film. The assets included huts, walls, bull horns, paths, all of which had many variants required except for the hero (largest/bespoke) huts. Other texture work I completed were burnt tents/shelters for the battle. Software: Substance Painter & Maya Company: Milk VFX The link below is an edit of my work work in the final films shots.
Role: Texture & Look development Artist Tasks: Texturing and Look development. I textured & shaded the Dahomey Kingdom which was the tribes city in the film. The assets included huts, walls, bull horns, paths, all of which had many variants required except for the hero (largest/bespoke) huts. Other texture work I completed were burnt tents/shelters for the battle. Software: Substance Painter & Maya Company: Milk VFX The link below is an edit of my work work in the final films shots.
Role: Texture & Look development Artist Tasks: Texturing and Look development. I textured & shaded the Dahomey Kingdom which was the tribes city in the film. The assets included huts, walls, bull horns, paths, all of which had many variants required except for the hero (largest/bespoke) huts. Other texture work I completed were burnt tents/shelters for the battle. Software: Substance Painter & Maya Company: Milk VFX The link below is an edit of my work work in the final films shots.
Role: Texture & Look development Artist Tasks: Texturing and Look development. I textured & shaded the Dahomey Kingdom which was the tribes city in the film. The assets included huts, walls, bull horns, paths, all of which had many variants required except for the hero (largest/bespoke) huts. Other texture work I completed were burnt tents/shelters for the battle. Software: Substance Painter & Maya Company: Milk VFX The link below is an edit of my work work in the final films shots.
Role: 3D Generalist Tasks: Modelling, Texturing, Look Dev & Layout Within this shot my contributions where modelling/uving/texturing /look dev of the bottom long building (valmonts apartments) & bridges. Other tasks include some kitbash modelling to create many variations of the city buildings, then some building city layout and then shot specific streets layout of props/market stalls etc. Software: Substance Painter, Maya & Houdini Company: Lola Post Production Click the link below to see
Role: 3D Generalist Tasks: Modelling, Texturing, Look Dev & Layout Within this shot my contributions where modelling/uving/texturing /look dev of the central long building (valmonts apartments). Other tasks include some kitbash modelling to create many variations of the city buildings, then some building city layout and then shot specific streets layout of props/market stalls etc. Software: Substance Painter, Maya & Houdini Company: Lola Post Production Click the link below to see
Role: 3D Generalist Tasks: Modelling, Texturing, Look Dev & Layout Within this shot my contributions where modelling/uving/texturing /look dev of the central long building (valmonts apartments). Other tasks include some kitbash modelling to create many variations of the city buildings, then some building city layout and then shot specific streets layout of props/market stalls etc. Software: Substance Painter, Maya & Houdini Company: Lola Post Production Click the link below to see
Role: 3D Generalist Tasks: Modelling, Texturing, Look Dev & Layout Within this shot my contributions where modelling/uving/texturing /look dev of the central long building (valmonts apartments). Other tasks include some kitbash modelling to create many variations of the city buildings, then some building city layout and then shot specific streets layout of props/market stalls etc. Software: Substance Painter, Maya & Houdini Company: Lola Post Production Click the link below to see
Role: 3D Generalist Tasks: Modelling, Texturing, Look Dev & Layout Within this shot my contributions where modelling/uving/texturing /look dev of bridges and some hero buildings such as the one in the bottom right hand corner (valmonts apartments). Other tasks include some kitbash modelling to create many variations of the city buildings, then streets layout of props/market stalls etc. Software: Substance Painter, Maya & Houdini Company: Lola Post Production Click the link below to see
Role: 3D Generalist Tasks: Modelling, Texturing, Look Dev & Layout Within this shot my contributions where modelling/uving/texturing "Pont Nerf" the main bridge. Other tasks include some kitbash modelling to create many variations of the city buildings, then streets layout of props/market stalls etc. Software: Substance Painter, Maya & Houdini Company: Lola Post Production An edit of my work with details can be seen by pressing the link below.
Role: CG Generalist Tasks: Modelling, Look development & Animation. Software: Maya Work Overview: To complete this birdseye car shot I was tasked with shading all the vehicles (CAD models). Re-modelling the top half of the very bottom car (hearse which was a generic mercedes before alterations). I then animated the cars using multiple curves and offsets. A clip of this shot can be seen in the show trailer. Company: Lola Post Production The link below is a video of the final shot.
Role: Lighting TD Tasks: I assembled, lit and rendered approximately 28 shots for the show. The work was lighting characters to a plate. Each shot had a 1 day/ 8 hour bid so the work pace was fast and shot management was key. Software: Houdini & Nuke Below is a link containing a compilation of my lighting shots from the show, the password is "dinosaur".
S01 E05 Role: Environment TD Tasks: Look development for the stick the dinosaur interacts with during the sequence. Software: Katana Company: MPC Episodic Click the link below to see an edit of my work from the show and further details.
S01 E05 Role: Environment TD Tasks: Look development for the burnt stump the dinosaur is eating. Software: Katana Company: MPC Episodic Click the link below to see an edit of my work from the show and further details.
S01 E04 Role: Environment TD Tasks: Scattering debris such as twigs, rocks and other around the environment, above and under snow. This was completed using their in house tool. The FX dept covered the environment alot more heavily with snow in the final so alot of the scattering became hidden! Software: Katana Company: MPC Episodic Click the link below to see an edit of my work from the show and further details.
S01 E04 Role: Environment TD Tasks: Look development for the rocks/stones in this sequence Software: Katana Company: MPC Episodic Click the link below to see an edit of my work from the show and further details.
S01 E04 Role: Environment TD Tasks: Look development for the rocks/stones in this sequence Software: Katana Company: MPC Episodic Click the link below to see an edit of my work from the show and further details.
S01 E03 Role: Environment TD Tasks: Look development for the rock the creature interacts with. Software: Katana Company: MPC Episodic Click the link below to see an edit of my work from the show and further details.
2022
Work Shot Video Links & Contributions
The Woman King - Feature Film 2022 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Dinosaurs: The Final Days - BBC Documentary 2022
Work Shots Video - Password = mark
(Click The Image Below To Open A Video Edit Of Shots)
Dangerous Liaisons - TV Series 2022 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Prehistoric Planet - Apple TV Series 2022 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Bad Sisters - Apple TV Series 01 2022 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Lock & Key - Netflix Series 3 - 2022 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
The Man Who Fell To Earth - TV Series 1 - 2022 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
2020
Wonder Women 1984 - Feature Film - Environment TD - Framestore
2020
Work Stills Gallery
(Click An Image Below To Find Details On Work & Shots Video Link)
Role: Environment TD Tasks: Clouds layout & some clouds lighting Software: Maya Overview: I briefly worked on cloud layout and some lighting for a few weeks this feature. Company: Framestore Clicking the "link" below will take you to an edit of just this sequence with a description of my work.
Role: Environment TD Tasks: Clouds layout & some clouds lighting Software: Maya Overview: I briefly worked on cloud layout and some lighting for a few weeks this feature. Company: Framestore Clicking the "link" below will take you to an edit of just this sequence with a description of my work.
Role: Environment TD Tasks: Clouds layout & some clouds lighting Software: Maya Overview: I briefly worked on cloud layout and some lighting for a few weeks this feature. Company: Framestore Clicking the "link" below will take you to an edit of just this sequence with a description of my work.
Role: Environment TD Tasks: Clouds layout & some clouds lighting Software: Maya Overview: I briefly worked on cloud layout and some lighting for a few weeks this feature. Company: Framestore Clicking the "link" below will take you to an edit of just this sequence with a description of my work.
2020
Work Shot Video Links & Contributions
Wonder Woman 1984 - Feature Film 2020 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
2019
"Disney's" The Lion King - Feature Film - Lighting TD - MPC
Hobbs & Shaw (Fast & Furious) - Feature Film - Environment TD - Framestore
Good Omens - Prime TV Series 1 - Lighting TD - Milk VFX
CATS - Feature Film - Lighting TD - MPC
2019
Work Stills Gallery
(Click An Image Below To Find Details On Work & Shots Video Link)
Role: Lighting TD Tasks: Most of my time was spent working on the "Be Prepared" scar/hyena sequence. I then completed several other shots (such as this one) from different sequences. Software: Katana (Prman) & Nuke Company: MPC The link below is a video edit of all my shots from the film.
Role: Lighting TD Tasks: Most of my time was spent working on the "Be Prepared" scar/hyena sequence. I then completed several other shots (such as this one) from different sequences. Software: Katana (Prman) & Nuke Company: MPC The link below is a video edit of all my shots from the film.
Role: Lighting TD Tasks: Most of my time was spent working on the "Be Prepared" scar/hyena sequence. I then completed several other shots (such as this one) from different sequences. Software: Katana (Prman) & Nuke Company: MPC The link below is a video edit of all my shots from the film.
Role: Lighting TD Tasks: Most of my time was spent working on the "Be Prepared" scar/hyena sequence. I then completed several other shots (such as this one) from different sequences. Software: Katana (Prman) & Nuke Company: MPC The link below is a video edit of all my shots from the film.
Role: Lighting TD Tasks: Most of my time was spent working on the "Be Prepared" scar/hyena sequence. I then completed several other shots (such as this one) from different sequences. Software: Katana (Prman) & Nuke Company: MPC The link below is a video edit of all my shots from the film.
Role: Lighting TD Tasks: Most of my time was spent working on the "Be Prepared" scar/hyena sequence. I then completed several other shots (such as this one) from different sequences. Software: Katana (Prman) & Nuke Company: MPC The link below is a video edit of all my shots from the film.
Role: Lighting TD Tasks: Most of my time was spent working on the "Be Prepared" scar/hyena sequence. I then completed several other shots (such as this one) from different sequences. Software: Katana (Prman) & Nuke Company: MPC The link below is a video edit of all my shots from the film.
Role: Lighting TD Tasks: Most of my time was spent working on the "Be Prepared" scar/hyena sequence. I then completed several other shots (such as this one) from different sequences. Software: Katana (Prman) & Nuke Company: MPC The link below is a video edit of all my shots from the film.
Role: Environment TD Tasks: Laying out and altering (geo manipulating) the cliff geometry to create the shot look and to enable blending with the raw plate. Scattering plants along the cliff, road sides and scattering many plant variants with hand painted mask maps for the wooded area. Software: Maya, Shambles (framestore tool) & Nuke Company: Framestore The link below is an edit of the film with just my shots and shots that contained some of my contributions (woodland scatter layout).
Role: Environment TD Tasks: Laying out and altering (geo manipulating) the cliff geometry to create the shot look and to enable blending with the raw plate. Scattering plants along the cliff, road sides and scattering many plant variants with hand painted mask maps for the wooded area. Software: Maya, Shambles (framestore tool) & Nuke Company: Framestore The link below is an edit of the film with just my shots and shots that contained some of my contributions (woodland scatter layout).
Role: Environment TD Tasks: Laying out and altering (geo manipulating) the cliff geometry to create the shot look and to enable blending with the raw plate. Scattering plants along the cliff, road sides and scattering many plant variants with hand painted mask maps for the wooded area. Software: Maya, Shambles (framestore tool) & Nuke Company: Framestore The link below is an edit of the film with just my shots and shots that contained some of my contributions (woodland scatter layout).
Role: Environment TD Tasks: Laying out and altering (geo manipulating) the cliff geometry to create the shot look and to enable blending with the raw plate. Scattering plants along the cliff, road sides and scattering many plant variants with hand painted mask maps for the wooded area. Software: Maya, Shambles (framestore tool) & Nuke Company: Framestore The link below is an edit of the film with just my shots and shots that contained some of my contributions (woodland scatter layout).
Role: Rendering Tasks: Checking the feather grooms for errors and glitches, completing first, middle, last renders & then final renders. Software: Maya (Arnold). Company: Milk VFX An edit of all the shots I completed this work for can be seen by pressing the link below.
Role: Rendering Tasks: Checking the feather grooms for errors and glitches, completing first, middle, last renders & then final renders. Software: Maya (Arnold). Company: Milk VFX An edit of all the shots I completed this work for can be seen by pressing the link below.
Role: Lighting TD Software: Katana (PRman) & Nuke Tasks: I completed lighting work primarily for the "Rum Tug Tugger" sequence, including the still above. I have edited the primary shots together I remember working on in the link below. Note: Due to continual VFX alterations demanded by the director and short deadlines the end result of many shots had un-synced simulations and assets/ characters without correct look development/shaders. Company: MPC
Role: Lighting TD Software: Katana (PRman) & Nuke Tasks: I completed lighting work primarily for the "Rum Tug Tugger" sequence, including the still above. I have edited the primary shots together I remember working on in the link below. Note: Due to continual VFX alterations demanded by the director and short deadlines the end result of many shots had un-synced simulations and assets/ characters without correct look development/shaders. Company: MPC
Role: Lighting TD Software: Katana (PRman) & Nuke Tasks: I completed lighting work primarily for the "Rum Tug Tugger" sequence, including the still above. I have edited the primary shots together I remember working on in the link below. Note: Due to continual VFX alterations demanded by the director and short deadlines the end result of many shots had un-synced simulations and assets/ characters without correct look development/shaders. Company: MPC
Role: Lighting TD Software: Katana (PRman) & Nuke Tasks: I completed lighting work primarily for the "Rum Tug Tugger" sequence, including the still above. I have edited the primary shots together I remember working on in the link below. Note: Due to continual VFX alterations demanded by the director and short deadlines the end result of many shots had un-synced simulations and assets/ characters without correct look development/shaders. Company: MPC
2019
Work Shot Video Links & Contributions
The Lion King - Feature Film 2019 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Good Omens - TV Series 1 - 2019 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Hobbs & Shaw - Feature Film 2019 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
CATS - Feature Film 2019 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
2018
Origin - Youtube Originals Series - Lighting TD - Milk VFX
Tolkien - Feature Film - CG Generalist - One Of Us
A Private War - Feature Film - CG Generalist - One Of Us
July 22 - Netflix Feature Film - Texture Artist - One Of Us
"Disneys" A Wrinkle In Time - Feature Film - CG Generalist - One Of Us
2018
Work Stills Gallery
(Click An Image Below To Find Details On Work & Shots Video Link)
Role: CG Generalist Tasks: Primarily texturing with some Modelling & Lighting Overview: 80% of the buildings are CG (entirely or second floor upwards) so my primary role was texturing the buildings/rubble. Creating variant models/textures/shaders for all rubble and buildings assets. A bespoke building I created all of was a bombed mosque (endshot) and various assets such as aircon units. Software: Maya (Arnold), Substance Painter. Company: One Of Us The "link" below is all my shots edited.
Role: CG Generalist Tasks: Primarily texturing with some Modelling & Lighting Overview: 80% of the buildings are CG (entirely or second floor upwards) so my primary role was texturing the buildings/rubble. Creating variant models/textures/shaders for all rubble and buildings assets. A bespoke building I created all of was a bombed mosque (endshot) and various assets such as aircon units. Software: Maya (Arnold), Substance Painter. Company: One Of Us The "link" below is all my shots edited.
Role: CG Generalist Tasks: Primarily texturing with some Modelling & Lighting Overview: 80% of the buildings are CG (entirely or second floor upwards) so my primary role was texturing the buildings/rubble. Creating variant models/textures/shaders for all rubble and buildings assets. A bespoke building I created all of was a bombed mosque (endshot) and various assets such as aircon units. Software: Maya (Arnold), Substance Painter. Company: One Of Us The "link" below is all my shots edited.
Role: CG Generalist Tasks: Primarily texturing with some Modelling & Lighting Overview: 80% of the buildings are CG (entirely or second floor upwards) so my primary role was texturing the buildings/rubble. Creating variant models/textures/shaders for all rubble and buildings assets. A bespoke building I created all of was a bombed mosque (endshot) and various assets such as aircon units. Software: Maya (Arnold), Substance Painter. Company: One Of Us The "link" below is all my shots edited.
Role: CG Generalist Tasks: Primarily texturing with some Modelling & Lighting Overview: 80% of the buildings are CG (entirely or second floor upwards) so my primary role was texturing the buildings/rubble. Creating variant models/textures/shaders for all rubble and buildings assets. A bespoke building I created all of was a bombed mosque (endshot) and various assets such as aircon units. Software: Maya (Arnold), Substance Painter. Company: One Of Us The "link" below is all my shots edited.
Role: CG Generalist Tasks: Primarily texturing with some Modelling & Lighting Overview: 80% of the buildings are CG (entirely or second floor upwards) so my primary role was texturing the buildings/rubble. Creating variant models/textures/shaders for all rubble and buildings assets. A bespoke building I created all of was a bombed mosque (endshot) and various assets such as aircon units. Software: Maya (Arnold), Substance Painter. Company: One Of Us The "link" below is all my shots edited.
Role: Lighting/Look development TD Tasks: The above shot(s) (bug sequence) required bespoke lighting for the alien bug interactions with both actors. To tackle this I used body tracking information & projection shaders to get realistic reflections/refractions occurring on the alien to add to my lighting setup. I also worked on a variety of other shots in the show. Company: Milk VFX Below is a link to my shots from the show with further description.
Role: Lighting/Look development TD Tasks: The above shot(s) (bug sequence) required bespoke lighting for the alien bug interactions with both actors. To tackle this I used body tracking information & projection shaders to get realistic reflections/refractions occurring on the alien to add to my lighting setup. I also worked on a variety of other shots in the show. Company: Milk VFX Below is a link to my shots from the show with further description.
Role: Lighting/Look development TD Tasks: The above shot had to be completed very quickly and required look development of the ambulance & shot lighting. The textures were flat colours textures so I created several layered shaders to try and breakup the sci-fi ambulance side as much as possible in the lighting condition and time given. I also worked on a variety of other shots in the show. Company: Milk VFX Below is a link to my shots from the show with further description.
Role: CG Generalist Tasks: Dozens of shots from this sequence and others had pre-built and lit modular set peices which needed CG scene assembley, extending, render testing and final rendering. Due to the volume of shots like this Milk VFX needed it was a fast paced process and I completed nearly 100 of these within a month. I also worked on a variety of other shots in the show. Company: Milk VFX Below is a link to my shots from the show with further description.
Role: CG Generalist Tasks: Texturing I was tasked with texturing the main buildings in the film, the textures, patterns and engravings had to match the reference I could find (old photos of the actual buildings) as the film was based on the bombings that happened in Oslo and these buildings no longer exist. Software: Mari & Substance Painter. Company: One Of Us A video with my shots edited together can be viewed by pressing the link below. Password = mark
Role: CG Generalist Tasks: Texturing I was tasked with texturing the main buildings in the film, the textures, patterns and engravings had to match the reference I could find (old photos of the actual buildings) as the film was based on the bombings that happened in Oslo and these buildings no longer exist. Software: Mari & Substance Painter. Company: One Of Us A video with my shots edited together can be viewed by pressing the link below. Password = mark
Role: CG Generalist Tasks: Texturing I was tasked with texturing the main buildings in the film, the textures, patterns and engravings had to match the reference I could find (old photos of the actual buildings) as the film was based on the bombings that happened in Oslo and these buildings no longer exist. Software: Mari & Substance Painter. Company: One Of Us A video with my shots edited together can be viewed by pressing the link below. Password = mark
Role: CG Generalist Tasks: Texturing I was tasked with texturing thet Tasks: Texturing I was tasked with texturing the main buildings in the film, the textures, patterns and engravings had to match the reference I could find (old photos of the actual buildings) as the film was based on the bombings that happened in Oslo and these buildings no longer exist. Software: Mari & Substance Painter. Company: One Of Us A video with my shots edited together can be viewed by pressing the link below.
Role: CG Generalist Tasks: Texturing, Lighting, Look development & Some Rotomation. For the film I had a variety of tasks which included texturing & look development of the main house & pink flower. Lighting for the side shot of the girl, house & plants and then many other shots from the blue hall sequence. 3D Rotomation of several garden shots. Software: Houdini (Mantra), Mari. Company: One of Us An edit of all my shots with contribution description can be seen by pressing the link below.
Role: CG Generalist Tasks: Texturing, Lighting, Look development & Some Rotomation. For the film I had a variety of tasks which included texturing & look development of the main house & pink flower. Lighting for the side shot of the girl, house & plants and then many other shots from the blue hall sequence. 3D Rotomation of several garden shots. Software: Houdini (Mantra), Mari. Company: One of Us An edit of all my shots with contribution description can be seen by pressing the link below.
Role: CG Generalist Tasks: Texturing, Lighting, Look development & Some Rotomation. For the film I had a variety of tasks which included texturing & look development of the main house & pink flower. Lighting for the side shot of the girl, house & plants and then many other shots from the blue hall sequence. 3D Rotomation of several garden shots. Software: Houdini (Mantra), Mari. Company: One of Us An edit of all my shots with contribution description can be seen by pressing the link below.
Role: CG Generalist Tasks: Texturing, Lighting, Look development & Some Rotomation. For the film I had a variety of tasks which included texturing & look development of the main house & pink flower. Lighting for the side shot of the girl, house & plants and then many other shots from the blue hall sequence. 3D Rotomation of several garden shots. Software: Houdini (Mantra), Mari. Company: One of Us An edit of all my shots with contribution description can be seen by pressing the link below.
Role: CG Generalist Tasks: Creating correct perspective layout concept from the plate track to aid the DMP artists. Providing ambient occlusion passes to match their DMPs as they progressed to help integrate. Look develpoment for some of the sourced and rendered background assets. Company: One Of Us The link below is an edit of my shots with a contribution description.
Role: CG Generalist Tasks: Creating correct perspective layout concept from the plate track to aid the DMP artists. Providing ambient occlusion passes to match their DMPs as they progressed to help integrate. Look develpoment for some of the sourced and rendered background assets. Company: One Of Us The link below is an edit of my shots with a contribution description.
2018
Work Shot Video Links & Contributions
A Private War - Feature Film 2018 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Origin - TV Series 2018 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
A Wrinkle In Time - Feature Film 2018 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Tolkien - Feature Film 2018 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
22nd July - Feature Film 2018 - Work Shots Video
(Click The Image Below To Open A Video Edit Of Shots)
Password = mark
2017
Electric Dreams - TV Series 1 - Episode 1 - CG Generalist - One Of Us
2017
Work Stills Gallery
(Click An Image Below To Find Details On Work & Shots Video Link)
Role: CG Generalist Task: Tracking & Some Modelling/ Layout I was tasked with initially camera tracking the shot for the CG cables/ bridge top rubble to be implimented but later on was asked by the compositor for the far back walls to be modelled and ambient occlusion passes to be created for them to do a small DMP of that area with correct perspective. Company: One Of Us The link below is an edit of just my shots from the show with shot descriptions.
Role: CG Generalist Task: Modelling This is one of multiple shots in which I was tasked to look at the DMP artist(s) shots and then use them as a basis to model a CG version to correct the perspective and distortion issues they were having from free-handing the original work. I modelled all window frames, extrusions and shapes before providing an ambient occlusion render for them. Company: One Of Us The link below is an edit of just my shots from the show with shot descriptions.
Role: CG Generalist Task: Modelling This is one of multiple shots in which I was tasked to look at the DMP artist(s) shots and then use them as a basis to model a CG version to correct the perspective and distortion issues they were having from free-handing the original work. I modelled all window frames, extrusions and shapes before providing an ambient occlusion render for them. Company: One Of Us The link below is an edit of just my shots from the show with shot descriptions.
Role: CG Generalist Task: For this shot I adjusted the balcony foreground model, shaded & rendered seperately before working on the background environment. The environmnet required texturing of replica assets of on-set objects such as huts and similar buildings. I then adapted a huge bridge model, adding further rubble, cables, broken lamposts etc.. before texturing and shading. Company: One Of Us The link below is an edit of just my shots from the show with shot descriptions.
Electric Dreams - TV Series (S01 E01) - 2017 - Work Shots Video
(Click The Image Below To Open A Video Link With Contribution Overlay)
2016
Nocturnal Animals - Feature Film - CG Generalist - Rushes Post Production
Maigret - TV Series - Roto Artist - Rushes Post Production
2016
Work Stills Gallery
(Click An Image Below To Find Details On Work & Shots Video Link)
Role: CG Generalist Tasks: Layout & Lighting Tweaks + Rendering Software: Maya (Mental Ray) Overview: I was tasked with changing the initial layout and lighting for the background walls and art frames which changed numerous times after the initial artists delivery. Company: Rushes A montage of my work with description can be seen pressing the "link" below.
Role: CG Generalist Tasks: Layout & Lighting Tweaks + Rendering Software: Maya (Mental Ray) Overview: I was tasked with changing the initial layout and lighting for the background walls and art frames which changed numerous times after the initial artists delivery. Company: Rushes A montage of my work with description can be seen pressing the "link" below.
Role: CG Generalist Tasks: Layout & Lighting Tweaks + Rendering Overview: I was tasked with changing the initial layout and lighting for the background walls and art frames which changed numerous times after the initial artists delivery. Company: Rushes A montage of my work with description can be seen pressing the "link" below.
Role: CG Generalist Tasks: Rotoscoping Overview: Whilst inbetween commercials projects I was tasked with assisting the MGFX department with rotoscoping 1-2 long slow motion closeups of characters from Maigret of which they could use in creation of the title sequence they were working on. Company: Rushes
Nocturnal Animals - Feature Film 2016 - Work Shots Video
(Click The Image Below To Open A Video Link With Contribution Overlay)
2015
Spectre (James Bond) - Feature Film - CG Tracking & Graphics Video Editor - Rushes Post Production
2015
Work Stills Gallery
(Click An Image Below To Find Details On Work & Shots Video Link)
Role: 3D Tracker Tasks: 3D Tracking Overview: I was tasked with tracking several pieces of stock footage displaying Cape Town so our FX artist could add smoke and our MGFX team could turn it into a news report. Company: Rushes A video edit of my work with description can be seen by pressing the "link" below.
Role: 3D Tracker Tasks: 3D Tracking Overview: I was tasked with tracking several pieces of stock footage displaying Cape Town so our FX artist could add smoke and our MGFX team could turn it into a news report. Company: Rushes A video edit of my work with description can be seen by pressing the "link" below.
Role: MGFX Editor Tasks: Editing Videos Overview: I was tasked with editing a total of 50 - 1 minute segments which were used for on-set monitor news reports. I did this whilst liasing with our MGFX team and the films MGFX Art Director. I also helped select dozens of stock footage for approval by the films legal representative. Company: Rushes A video edit of my work with description can be seen by pressing the "link" below.
Role: MGFX Editor Tasks: Editing Videos Overview: I was tasked with editing a total of 50 - 1 minute segments which were used for on-set monitor news reports. I did this whilst liasing with our MGFX team and the films MGFX Art Director. I also helped select dozens of stock footage for approval by the films legal representative. Company: Rushes A video edit of my work with description can be seen by pressing the "link" below.
Spectre - Feature Film 2015 - Work Shots Video
(Click The Image Below To Open A Video Link With Description)
2013
Jack The Giant Slayer - Feature Film - CG Scan Processor - Plowman Craven
47 Ronin - Feature Film - CG Scan Processor - Plowman Craven
Role: CG Scan Processor Tasks: Cleaning up anomalies from on-set point cloud scans which are converted into 3d meshes. The process involves cutting up pointcloud data into usuable chunks and then importing smaller chunks into Cyclise to perform hole repairs, remove artifacts and make the mesh as useable and clean as possible for VFX studios to use in tracking/ other tasks. I do not have specific shot screenshots as we purely processed the 3d sets. Company: Plowman Craven
Role: CG Scan Processor Tasks: Cleaning up anomalies from on-set point cloud scans which are converted into 3d meshes. The process involves cutting up pointcloud data into usuable chunks and then importing smaller chunks into Cyclise to perform hole repairs, remove artifacts and make the mesh as useable and clean as possible for VFX studios to use in tracking/ other tasks. I do not have specific shot screenshots as we purely processed the 3d sets. Company: Plowman Craven